![]() ![]() No bench top scopes will be shown, its simply not the best platform for a real working tech whatsoever. If you go to any automotive training event, you'll be shown screenshots from either pico, snap on or ATS. Even the ATS e-scope never took off like the pico, although it is used by techs and industry trainers. So when a company comes out with a better all of the above, I'm sure they'll sell a bunch. Most guys don't care about cost, it's a drop in the bucket compared to what someone purchasing one already owns in tools. You can send the psd files right through facebook messenger for a friend to review. Anybody can download the software on any computer platform, even right on your scanner if you desired. How to Use Scopelink for Scopebox in Premiere Pro (and FCP X) If youre looking for scopes to use with Adobes Premiere Pro, After Effects or Apples Final Cut Pro - check ScopeLink, a powerful feature of ScopeBox. ![]() Between its ease of use, portability, after the capture interpretation, waveform library, ease of file sharing, help and support, the pico really doesn't leave much to be desired. What are you guys working on in an automotive application where a pico isn't 'fast' enough? If there was a better automotive platform then the pico, I'm sure more people would be using it. Any inductive load that is turned on and off quickly (ignition coil primary, injectors) can have a very high back EMF. If you are working with automotive signals, you need to be somewhat careful of signasl that would exceed your 'scopes rating and use an external attenuator. Many low end 'scope have no builtin attenuation or the capability to use 10X probes. Personally, I would like to see 10 or 12 bits.Īnother "interesting" spec is the maximum allowed input voltage. So a 1GS/s channel 'scope has a usable bandwidth of of about 25 Mhz (when using all 4 channels).Ī-to-D bits/sample : Again, watch that term "effective', because it means it is averaged. Despite what theory say, the usable bandwidth for capturing non-continuous signal is roughly 1/10 the sample rate. Sample rate is very important because this really determines what I call the "usable" bandwidth. Typically the sample rate is divided by the number of channels being used. ScopeBox replaces a cart full of tools: Preview Monitor, Waveform, Vectorscope, Audio Meters, Direct Disk Recorder and goes even further, adding Luminance Histogram, RGB Histograms, and RGB Parade. The following 3 minute video shows you how to use a waveform monitor. Aside from managing video exposure, a waveform monitor is also very useful for matching multiple cameras at the same location. This is averaging and only works on continuous signals. ScopeBox by Divergent Media is a highly accurate dedicated scope software. Multiscope Lite for PC from Rumble House. The number of samples per second, but be careful of the term "effective sample rate". Most of the Rigol low end 'scopes have software selectable front ends and can be hacked to much higher frequency. Bandwidth is the capability of the 'scopes analog front end to capture the wave BEFORE it is digitized. Some tips for rookies while your shopping for a DSO.īandwidth : Looks good on paper, but not that important. They are either occasionally missing, under/over sized or "extra". ![]() However, more and more often, we are looking at signals that are NOT continuous. If you are working on equipment that puts out a continuous signal, then you don't really need a digital storage 'scope. But part of that is how the 'scope is going to be used. Like I said, I’m not very familiar with Scopebox’s requirements, and I’m not sure how to hook it all up.One of the BIG problems with 'scopes these days is what I call "specs'manship". I have my old Mac still connected to my FSI monitor as well (Input #2) via an UltraStudio Mini Monitor, and would like to preserve that SDI connection if possible. The PC uses a Decklink Mini Monitor card with SDI going to my FSI Monitor (Input #1) One port is already connected to my RAID. The new PC also has a Gigabyte motherboard with 2 TB3 ports. So, now I find myself with a nMP that I use only for Prores exports, and I’d like to utilize it for Scopebox as well. I’ve recently made the switch from a 2014 nMP (8 core, 32GB Ram, dual D700s), to a custom built PC (14 core i9, 128GB Ram, dual 1080ti). I’d like to start using Scopebox with Resolve, but have a few connection-related questions. ![]()
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